Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.

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Bernd Neubauer is a pleasant man in his mid-40s - he plays away five or six years effortlessly. But the two women in his life put him in strange situations. Or in desperate ones. It seems it's not the professor who's putting up with a waitress, but she's putting up with him. It seems he is also dispensable at home. In the end, Bernd and Lena have bought a house in the country, but Else Maschke, who has lived there since childhood, has lost her retirement. Melanie is expecting a child and Lena is also pregnant. A merciful end is needed, but is there one?

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A woman is convinced that the previous wife's house is out to get her

A Flemish court series in which each episode covers a trial before the 'court of assizes' (hence the Dutch title), the highest criminal court in Belgium, which hears the gravest charges, especially murder. The regular main characters are the judges (mainly the president), the public prosecutor (styled procureur-general, 'general procurator'), while the attorneys change with the defendant(s), the civil parties (who may also have lawyers of their own), and the witnesses, including police officers and onderzoeksrechter ('judge of instruction', a magistrate supervising the police investigation until the trial).

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Hof van de Leeuw depicts the Binnenhof as a mythical setting where power, morality and prophecy collide. At its centre is Faust, a lion who, in his quest for freedom, is swallowed by water and a whale. The 3D animated film is constructed in the characteristic style of Lukács & Broersen. Fragments of the Binnenhof undergoing renovation form the backdrop

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